WiP... Thursday: Just Write!

[Tried to post this yesterday, for WiP Wednesday, but Blogger was giving me major agita and I gave up. I know, no one likes a quitter, but I felt like I was about to smash something that probably cost more than I make in a month. Makes the above picture that much more appropriate, non?]


Last night I hit the 30K mark of my WiP (see an excerpt here). Go, me! I rule!

Oh, wait, I don't really. Thirty thousand words may sound like a lot, but when I realize it's taken me almost a month to write the last five thousand words, it's really nothing to be proud of. *hangs head in shame*

In my defense, the past month has been pretty busy. So many books came out that I wanted to read, and I have to admit I've been a little... distracted. I've learned that having an agent hasn't stopped me from compulsively checking my inbox after all. If anything, my palms are even sweatier than when I was querying. My breath catches every time I check my gmail in the hopes there might be some good news: that an editor loves my book. Obviously, it hasn't happened yet, and I'm about thiiiiis far from a freak-out of epic proportions. Good thing I live in New Orleans, where no one would notice.

Ugh. Submission is worse than querying. I never thought I'd say that, but it's true. It's enough to make me throw my laptop out the window or set it on fire. Or go all gansta on it á la Office Space.

But for a few hours last night, Finding Nemo on in the background (after I caught the beginning of this sweet documentary on t.v about the history of Pixar), I forgot about all that and wrote over 1500 words. And I thought of a new direction for the plot. No, there are no missing clown-fish involved, don't worry, but there's intrigue and danger, and magic... This story's going to kick ass, y'all!

That's when I realized that there's no excuse for not writing when I have the time to actually sit my butt in my chair and type. I know I'm not the first person to figure this out, and hell, it's not the first time I've had this same epiphany. But I'm adding it to my list of mantras for getting this first draft finished:

Butt in Chair = increased word count

Don't get it right, get it written.

Anyone else have a mantra they follow when drafting?

Anyone out there in editing/revision hell? What do you say to keep yourself motivated?

The Dreaded Synopsis-- The Most Underutilized Tool in the Box

So I've got the complete rewrite of EVANGELINE finished and I'm ready and raring to go on my second draft of Mara's story. First thing I'm going to do is write a synopsis.

I can hear the groans through cyberspace now. (And apparently time, too, since none of you have read this as I'm still writing it, but I'm just cool like dat.)

Why write a synopsis now, you say, before the final draft? Things might change, you say.

Bingo!

At this stage I use the synopsis to remind myself of the plot without actually having to read the story again. This helps keep me from packing extraneous information into the synopsis. There might be some details I've forgotten, but that's for the best. It's probably minor subplot, which has no place in my short synopsis. It also helps me keep the story a little fresher in my mind for once I actually start reading through and line editing.

As I write the synopsis, a scrawling, scribbled-out, longhand mess at first, the story slowly becomes clear in my mind. And, if I find I do want to change something, the synopsis is the best place to plan such revisions, especially if they lead to other major changes down the road.

Without actually making any changes to your manuscript, you can use the synopsis and save a lot of time in the long run if you are already thinking of making major changes to the plot. Usually once I have the plot the way I like it, my short synopsis is finished. Even after all my revisions to EVANGELINE, the synopsis I made after the first draft was finished still applies. I made changes in style and hopefully refined the narrative and dialogue, and I even added and deleted some minor subplots, but none of those changes affected the major plot arc.

Since wriitng a one page synopsis is the most difficult for me, that's the length I eventually strive for, but when I first start the process, it's more like three pages. Whatever length works for you is fine, but I think over five pages means you might be focusing a bit too much on subplots. In this case, you should ask yourself why that is. Should one of the minor subplots become a more major one?

The other great thing about crafting a synopsis before you read the story again is that you're still so excited about your novel. The story still feels alive and new and full of potential. The synopsis is all about potential, about seeking it out and playing around with possiblities.

Why not make your synopsis work for you instead of slaving over it? Especially when you are on the verge of querying, trying to craft a query letter at the same time and having the query sound too much like a synopsis.

I'm really looking forward to working on my second draft, but before I dive in head first, I want to be prepared, armed to the teeth and writing with a purpose.

The synopsis is an indispensible tool. Make it work for you!