Showing posts with label Charlton. Show all posts
Showing posts with label Charlton. Show all posts

Monday, October 24, 2011

Happy United Nations Day from Teen-Age Love!

"Romance Can Be Found in Many Places..."
Cover for Charlton's Teen-Age Love #37 (May 1964)

Happy United Nations Day 2011!!! Believe it or not, I had more than one UN themed romance comic cover up my sleeve! When you think about it though, the UN isn't such a strange setting for a romance story considering the organization's importance and prestige after the Second World War. While in college, I completed a month long seminar at the United Nations and believe me, the General Assembly and Security Council Chamber are quite glamorous!!! With all that mid-century design it would be hard not to fall in love at the UN!

Thursday, July 7, 2011

Charlton's "Find-a-Word" Puzzle Page!


Here's something a little different for you! Word puzzles from Charlton! These ingenious little one-pagers acted not only as filler content, but as advertising for the separate Charlton publications, Find-A-Word and Seek-a-Word. These puzzles appeared in numerous Charlton titles in the '70s, which accounts for the motley subject matter. Not that naval ships aren't romantic, but...

Click to enlarge!
Teen Confessions #84
(January 1974)

I Love You #108
(September 1974)

Time for Love #36
(October 1973)


Teen-Age Love #94 (August 1973)
Secret Romance #29 (October 1974)

Love and Romance #20
(January 1975)

Time for Love #40
(February 1975)

Find all the words? Good!
Now go have yourself a lovely weekend!

Monday, June 27, 2011

Fab! Tuff! Outasight! - Monkees Mania in Romance Comics!

Hello, romance comic fans! When I was a kid and dragged to comic book conventions, I quickly learned that having a niche thing to collect made the cons ten thousand times more fun. At 12 years old, I wasn't super into collecting comics (yet), but I had been recently captivated by the Monkees and oh goodness, was I obsessed! And so, the comic book conventions I attended with my family turned into all out Monkees memorabilia hunts. I still really dig the Monkees and I am of course a wee bit sad I won't be seeing any of their latest tour performances.


Anyhow, how does this relate to romance comics, you ask? Well, there are quite a few advertisements for Monkees merchandise in the romance comics. Quite fitting when you think about it!

In the DC advice column "To You... from Carol Andrews" from Falling in Love #95 (November 1967), Carol advises readers on a new teen mag from DC called Teen Beat. The inaugural issue featured a sensationalistic story on the Monkees!


The second issue of Teen Beat was reincarnated as Teen Beam. This house ad for Teen Beam advertising frameable Monkees pictures was printed in Young Love #66 (March/April 1968).


Charlton published a magazine called Teen Tunes and Pin-Ups and naturally, advertised it in their romance comics. This ad featuring Micky, Davy, Mike, Peter and compatriots appeared in Teen Confessions #48 (January 1968).


Space in some of DC romance comics were purchased by Charlton to advertise their "huge kissable - SINGABLE - posters" of the Monkees. This one appeared on the back cover of Girls' Romances #130 (January 1968).


The Beatles made a few appearances in the stories and covers of romance comics, but besides these advertisements, I don't think any story in romance comics mentioned the Monkees. *Sob!*

Wednesday, June 8, 2011

Puppy Love Week - Another Way to a Man's Heart


Welcome to day three of "Puppy Love Week!" As promised, I have for you today a Charlton story. Now, if you have been to Sequential Crush before, you know that Charlton romance stories tend to be a little bit on the nutty side. But hey! That's what makes them so lovable! Without further ado, in all its day-glo crazy-pants glory, I present "Another Way to a Man's Heart" from For Lovers Only #82 (December 1975).


Despite being neighbors, Pete Betterton will not acknowledge Julia. She pulls out all the stops (which includes wearing granny dresses) to no avail. Julia does however, manage to attract the attention of Pete's adorable little pup, Gizmo. Well, with the help of some biscuits anyhow.


A few weeks later, while grabbing her mail, Julia runs into Pete and a very obstinate Gizmo. Pete explains to Julia that he is trying to get Gizmo off to the kennel so he can make his flight to Europe for a ten-day business trip. Seeing that Gizmo is putting up a fight, Julia volunteers to take the dog to the kennel so that Pete can catch his plane on time. After Pete leaves, Julia decides to just watch over Gizmo herself and skip the kennel.


After a fantastic ten days with little Gizmo, Pete returns. With a feeling that Julia kept Gizmo at her place the whole time, Pete appears at the door bearing a bouquet of flowers and a bottle of wine. He even cooks her dinner!


A romance starts to blossom but Julia lets Pete know that he isn't the only one with goals. She is a liberated woman!


The next day, Julia, Pete and Gizmo take a little road trip from New York city to Connecticut and spend the afternoon picnicking and swimming under a waterfall. Not only fun, the time together gives Pete and Julia time to discuss their future.


Once back home, Pete asks Julia to marry him. She says yes, joking that Gizmo would never forgive her if she said no. And so, brought together by a little furry mutt, a family is born -- Charlton style!


The art in this story may not be the best (not sure who is responsible for it), but I think the story is a cute one and there is just something so real and honest about it. Perhaps it is the slightly heartbreaking panel where Julia and Gizmo are watching television or Charlton's proclivity for bizarreness? In any case, Gizmo has a special place in my heart!

Monday, May 30, 2011

Memorial Day Romance - "Love Lies Deep and Cold" Time for Love #16 (May 1970)

I hope you all are having a lovely extended Memorial Day weekend. This federal holiday isn't just about cook-outs and the start of summer vacation; it is a day for honoring those who have died during military service.

In recognition of this day of remembrance, I have for you a story called "Love Lies Deep and Cold" from Charlton's Time for Love #16 (May 1970). Story art is by Luis Avila.

In this moving splash page, we learn that newlywed Leah has just lost her husband, Ken. One of the unlucky ones, he was killed while serving in Vietnam.


Ken is given a full military burial. After the funeral, Leah goes back to the home they shared -- almost expecting for Ken to come bursting through the door as if nothing had happened at all.


One morning, Leah's neighbor Ben Tibbs comes to the door looking for bandages for his mangled hand. He fought in Vietnam too, but made it home alive. Tragically, when Ben came home from war, he was notified his fiancée had been killed in an accident. That night after meeting Ben and while lying in bed, Leah thinks about Ben's tragedy and is deeply saddened. Clearly she is suffering from depression as she thinks to herself, "What a rotten life... I wish I were dead!"


Finally, she decides she cannot fall asleep and ruminates between taking sleeping pills or going for a walk. She decides to go on a walk to avoid having her usual nightmares. She goes by the river and leans over the edge of the bridge and contemplates jumping. She is stopped from acting on her impulses by the sudden appearance of Ben Tibbs, her neighbor. Having taken a vow that she would never date again, Leah tells him to leave her alone and stop interfering with her life. Ben retreats, until out of nowhere a couple of strange men emerge from the shadows and start to attack her. Ben Tibbs hears her screams and comes to her aid.


After beating up the attackers together (yup, Leah clunks one on the back of the head with her shoe), Leah feels a little better about spending time with Ben. Soon, he starts running errands for her and she starts cooking meals for him. Before long, they even attend a movie together. Leah appreciates his company, but decides it is best to keep her distance for fear of falling in love with him. Leah successfully ignores Ben, until one night she smells smoke in their apartment complex.


Leah scrambles to notify Ben. Once both are safe from the smoke and flames, they admit their love for one another and Ben asks Leah to marry him. In spite of her vow to never love again, she says yes.


Despite her best efforts to run from love, Leah surrenders to it -- obviously moved by Ben's own tragic past. Kind of a bittersweet story, but I appreciate the unexpected grooviness of Avila's artwork and Charlton's acknowledgement of the hardships of war.

Thursday, May 26, 2011

Air Hostess with the Mostess! ABC's New Show Pan Am and Charlton's Tri-Am Saga

ABC recently announced a new 1960s-set television show for next season starring the glamorous stewardesses of Pan Am! As a huge fan of Mad Men and all things 1960s, I think it looks terrific!

Watch the trailer for Pan Am


Romance comics were full of stories of career girls. Becoming a stewardesses (or air hostesses) as they were called back then, was a viable career option for the young, single gal looking to broaden her horizons and earn some money before settling down. This story, "Rendevous on Cloud 9" [sic] from Career Girl Romances #47 (October 1968) tells the story of one such young stewardess, Tessa Clark. The story is narrated throughout by Ms. Lydia Chalmers Drew, the Supervisor of Stewardesses for Tri-Am Airlines (obviously a play on Pan Am).


Tessa has yearned to have a career in air travel since childhood. She follows her dreams by graduating at the top of her high school class and working for Tri-Am part time while taking college courses -- something Ms. Drew recommended to her from the beginning.


After training and graduation, Tessa is assigned to Tri-Am's Paris flight with the handsome (and slightly cocky) young pilot, Sam Bollard. Once they arrive in Paris, Tessa goes off on her own to explore the city. She is followed by a creepy local named Pierre, who starts harassing her on top of the Eiffel Tower. Having been unable to get Tessa out of his mind, Sam miraculously appears and tells Pierre to scram.


Sam apologizes for his cold behavior during Tessa's first flight and asks her out to a romantic dinner to make up for it. They have a wonderful time as evidenced by this wonderfully hilarious (and stern) panel.


The lovebirds break all of Tri-Am's rules and continue to see each other -- dining, dancing and dating their way all over the world. One day while on a flight to Karachi, Pakistan, an engine on the aircraft goes out.


The piloting team grounds the plane and put out the flames that have engulfed the craft, while Tessa clears out the passengers. Afterwards, shaken from the ordeal, Tessa and Sam embrace. They both declare they do not want the other flying anymore, but Sam refuses to give up his career. Once back home, Tessa gives her letter of resignation to Ms. Drew -- who thinks Tessa is making a big mistake. Ms. Drew puts her on the inactive list anyhow, and a month passes. During her time off, Tessa becomes depressed and Sam's work performance declines. Tessa decides to give her career one more shot and Ms. Drew puts her on the next flight to Karachi.


"In Karachi, the Eastbound TAA flight
meets the Westbound...
"

As soon as the plane lands, Tessa runs into Sam's arms -- effectively ending her tenure as a career girl and cementing her role as a woman of the domestic realm. Remember, marriage was a no-no for ladies of the sky throughout the 1960s!


No doubt the characters of ABC's Pan Am will be similar to Tessa, Sam and Ms. Drew from this comic book romance tale!

Have a wonderful
Memorial Day weekend!!!

Tuesday, May 24, 2011

Romance Comic Book Rarity - "Love Wears No Uniform!" by Jack and Gary Abel

One romance artist I really like, but don't talk about as much as I should, is Jack Abel. Primarily an inker on the romance comics, his work always seems to add a little something special to a story. Jack occasionally went by the pseudonym Gary Michaels, which was his son's name. Today's story, "Love Wears No Uniform!" from Career Girl Romances #73 (February 1973) is by Jack and his pseudonym-sake son, Gary. I couldn't find much on Gary Abel, and it is not clear whether he wrote this story and Jack illustrated it completely, or if Gary penciled it and Jack inked it. Either way, it is quite the rarity! This invaluable resource on Charlton personnel lists Gary as having only done one romance story with his father (Teen-Age Love #88), but as you can see today, there are at least two out there! Enjoy this little gem!

Susan Peters is a newly minted officer on the force. Becoming a cop has been a life-long dream of hers, as well as getting married.


She dates a lot of fellow officers, but ultimately decides that she would rather date someone not on the long arm of the law.


One evening, Officer Peters goes to a civilian party in hopes of meeting an eligible young bachelor. She is approached by a handsome guy named Steve. They seem to hit if off right away and naturally, he asks what she does for a living.


Unfortunately, her livelihood is met with some resistance and Steve flees the scene of the short-lived romance.


Things start to look up for Officer Peters at work, and she is assigned to a special plain clothes assignment guarding a famous television star at his hotel. Except, it isn't really a plain clothes assignment -- she has to pose as the star's maid. Nick Jones, the star turns out to be a jerk, but his friend Bill Downs is quite nice. Susan and Bill go on a date and quickly fall in love. However, Bill has a confession to make... ooh the suspense!!!


Bill is not really a friend of the television star, but a detective assigned to the case as well! Our Charlton version of Lady Cop decides she is cool with that and lets Detective Downs know with a kiss!


I really enjoy the wide-eyed cuteness of Jack Abel's art, and the addition of his son (in whatever capacity) makes for a nice little story. Have a great afternoon!

Wednesday, April 13, 2011

Ugly Duckling Week - A Charlton One-Pager!


Today's Ugly Duckling Week post is a little one-pager from Charlton's Career Girl Romances #74 (April 1973). This short story of transformation was illustrated by frequent Charlton romance artist, Pete Morisi -- also known as PAM. Morisi often signed his romance work; if you look at the bottom left-hand corner of this story you will see his signature -- written in such a way that it looks like PAIII.

Interestingly, Morisi was not only a comic book artist, but a New York City police officer! I guess in a way he knew a little bit about transformation and wearing more than one hat, or in this case -- wig!

Thursday, March 31, 2011

Three Different Romance Comic Book Publishers ♥ Three Different Views of the Women's Movement

On this last day of Women's History Month, I have for you three romance stories. Three! Yes, three! All from February of 1972, these stories come from Charlton, Marvel, and DC, respectively. It is no surprise that all three of these stories date to the same month -- the first sample issue of Ms. magazine was published just two months earlier, and the Equal Rights Amendment was approved by both the House of Representatives and the Senate by the end of March in 1972. With all going on in society, romance comics had no choice but to keep up!


First, let's start out with the Charlton story, "Let Me Alone!" from Love and Romance #4 (February 1972). Charlton's output of stories concerning the Women's Movement has varied in tone with some stories on the more sensitive side Ă  la "A Strange Good-Bye" and some like "I Hate You, Darling" with openly hostile characters. "Let Me Alone!" is definitely a story which makes a statement on the Women's Movement. But what sort of statement? Keep reading to find out!


Pam Burney is a successful executive computer analyst who isn't about to let any man get in the way of proving her worth to the company -- especially co-worker Glen Wasdell.


When invited to a party hosted by their boss, Pam tells Glen she will pick him up and not the other way around. While on her way to her car, Pam can't help but sneak a peek at the latest of fashions in a nearby shop window.


Pam passes that evening on new duds and admits that in public, she works hard to maintain her "image as a career woman." We as readers, however, are privy to Pam's dreams in which she and Glen carry on a romance. In real life, Pam ditches the provocative clothing of her dreams and wears instead to the party a sensible white blouse and knee-length skirt. During the evenings festivities, their boss compliments Pam and Glen both, saying that they are his two best young analysts. Instead of taking the compliment, Pam says to her boss, "If you expect me to swoon over being called 'as good as' Glen Wasdell, you'll be disappointed." Their boss takes Pam aside to let her know that it is not her sex, but her poor attitude towards her coworkers that will prevent her from reaching the top.


In a strange turn that seems typically Charlton, Pam removes her "Femme Lib outfit" to reveal a sexy romper underneath. Apparently, Pam takes the recommendation from her boss to be nicer as a cue to lose her convictions and appeal to the desires of her male co-worker. The end of the story has Pam declaring that her "preoccupation with Women's Lib" has ended and that she has surrendered.

♥♥♥

Next up is the bittersweet Marvel story, "One Fleeting Moment..!" from Our Love Story #15 (February 1972).


Linda and Dave meet at a party, are instantly smitten with one another, and spend the whole night dancing and laughing.


Dave already knew an important tidbit about Linda from their hostess -- she was soon leaving for the Peace Corps in Africa. He mentions that he is also leaving -- to go to medical school in Europe. They agree to just have fun during the time they do have, but the dates on the calendar loom over them.


The weeks wear on and suddenly, September arrives and their parting is imminent. Having fallen in love with Dave, Linda is completely devastated. Dave loves Linda too, but reminds her that they must be true to their dreams and commitments.


Agreeing that they both must follow their individual paths, they decide to part with only fond memories of their brief time together. In her heart, Linda is hopeful that the future will bring a reunification.

♥♥♥

Our final story for the month is "Give Me Liberty or Give Me Love!" from Young Love #92 (February 1972).


The title is actually misleading as it implies a choice to be made. Read on to find why that is not necessarily the case for our leading lady!


As Janis and Perry make their way to the boathouse late one evening, Perry slips up and accidentally in affection, calls his girlfriend "baby." Janis, who never lets a man carry her lunch tray or open doors for her, is furious and accuses him of being a typical chauvinist male.


But we see that Perry isn't all that bad -- on a following day he and Janis attend their Women's Lib group meeting to prepare for a demonstration to be held at a football game. Perry helps by distributing literature. At the demonstration, Janis isn't fazed by the nasty looks and jeers she receives from people who aren't on board with the Women's Movement. While standing her ground, Janis is trampled by a group of giddy young ladies with hopes of touching a football player. Suddenly in the confusion, a gorgeous football player scoops her up, saving her from further injury. He carries her to the team doctor who tapes up her twisted ankle.


Just as Janis begins to welcome the football player's chivalry, he tells her that "Things like picketing -- job security...civil rights -- they're strictly men's problems." Understandably horrified, Janis demands to be let out of the cab and lets her companion know that he is one of the creeps inhibiting the progress of women.


Already feeling bad about her susceptibility to the affection displayed by the football player, Janis is confronted by her Women's Lib group -- primarily the leader -- strict, glasses-wearing Harriet. The two get into it, and Harriet reprimands Janis for falling prey to the male ego. Janis tells Harriet that she is a dictator and asserts that femininity and equality can make for apt bedfellows.


Janis quits the group, vowing to find another that supports her viewpoints. In the meantime, it is Perry who stands by Janis's side as both boyfriend and ally.

♥♥♥

From today's viewpoint, Charlton's take on the Women's Movement is nutty to say the least, but stands as a testament to the various opinions of the changes occurring in society. Marvel's take on the societal changes of the 1970s definitely is more palatable to the reader of today, and one that in my opinion is more romantic -- but still implies that being feminist means abandoning love. I myself prefer the DC take -- one in which love and romance are compatible with equality and feminism.

It has been a discussion-filled month here at Sequential Crush and I would love to hear your thoughts on these three stories! As always, thanks for reading!